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Learn how. Can I make a topic hidden or private? I'd take you now, only I don't know how that country is out there. We'll fix on some place, and then you watch me settle this fortune question. We'll not live under a cloud always. I'll get a divorce, and we'll marry, and things will come right with a bang. Money will do that. You're all I have. Be good, sweet. Then she walked away with rich, sinuous, healthy strides—the type that men turn to look after.
Caroline Emilia Jacobs. The new poet, who introduced himself by the name of Gabriel Syme was a very mild-looking mortal, with a fair, pointed beard and faint, yellow hair. But an impression grew that he was less meek than he looked. He signalised his entrance by differing with the established poet, Gregory, upon the whole nature of poetry.
He said that he Syme was poet of law, a poet of order; nay, he said he was a poet of respectability. So all the Saffron Parkers looked at him as if he had that moment fallen out of that impossible sky. You say you are a poet of law; I say you are a contradiction in terms.
I only wonder there were not comets and earthquakes on the night you appeared in this garden.
The man with the meek blue eyes and the pale, pointed beard endured these thunders with a certain submissive solemnity. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything.
He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway.
I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria.
Oh, their wild rapture! The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it.
We feel it is epical when man with one wild arrow strikes a distant bird.
Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo!
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No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say! You say contemptuously that when one has left Sloane Square one must come to Victoria.
I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. It is to me the cry of a herald announcing conquest. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven.
The poet is always in revolt. You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Revolt in the abstract is—revolting. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars—the most poetical thing in the world is not being sick.
Do you mean what you say now? Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means—from sheer force of meaning it.
She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world.
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Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions.
For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world.
To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology.
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